Archive for October 2011
Songs of Experience: Modern American and European Variations on a Universal Theme

Few words in both everyday parlance and theoretical discourse have been as rhapsodically defended or as fervently resisted as “experience.” Yet, to date, there have been no comprehensive studies of how the concept of experience has evolved over time and why so many thinkers in so many different traditions have been compelled to understand it. Songs of Experience is a remarkable history of Western ideas about the nature of human experience written by one of our best-known intellectual historians. With its sweeping historical reach and lucid comparative analysis–qualities that have made Martin Jay’s previous books so distinctive and so successful–Songs of Experience explores Western discourse from the sixteenth century to the present, asking why the concept of experience has been such a magnet for controversy. Resisting any single overarching narrative, Jay discovers themes and patterns that transcend individuals and particular schools of thought and illuminate the entire spectrum of intellectual history.
As he explores the manifold contexts for understanding experience–epistemological, religious, aesthetic, political, and historical–Jay engages an exceptionally broad range of European and American traditions and thinkers from the American pragmatists and British Marxist humanists to the Frankfurt School and the French poststructuralists, and he delves into the thought of individual philosophers as well, including Montaigne, Bacon, Locke, Hume and Kant, Oakeshott, Collingwood, and Ankersmit. Provocative, engaging, erudite, this key work will be an essential source for anyone who joins the ongoing debate about the material, linguistic, cultural, and theoretical meaning of “experience” in modern cultures.
Songs of Experience: Modern American and European Variations on a Universal Theme
Om Kalsoum: Aadeet hayati
Here is a great song that showcases the immense talent of Egypt’s greatest singer, Om Kalsoum, nicknamed by the Egyptians “the fourth Pyramid” or simply “the Lady”. Om (or Oum, Omm, Omme, Oom, Um, Umm) Kalsoum (or Kalsum, Kaltsoum, Kalthoum, Kalthum, Kalthoom, Khalsoum, Khalsum, Khalthoum, Khalthum, Kaltoum, Kolsoum, Kolsum, Kolthoum, Kolthum, Kolthom, Koolsum, Koulsoum, Koulsoun, Koulthoum, Kultum, Kulthum, Kulthume, Kelthoom, etc.) (1904 – 1975) is one of the best known and most beloved of all singers in the Arab world, and her albums still outsell many others in the Arabic language. Om Kalsoum’s songs deal mostly with the universal themes of love, longing, and loss. They are nothing short of epic in scale, with durations measured in hours rather than minutes. A typical Om Kalsoum concert consisted of the performance of a single song over a period of six or more hours. These performances are in some ways reminiscent of Western opera, consisting of long vocal passages linked by shorter orchestral interludes. The duration of her songs in performance was not fixed, but varied based on the level of emotive interaction between the singer and her audience. A typical technique of hers was to repeat a single phrase or sentence of a song’s lyrics over and over, subtly altering the emotive emphasis and intensity each time. This intense, highly personalised creative relationship, was undoubtedly one of the reasons for her tremendous success as an artist. Om Kalsoum has been a …
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